![]() He co-authored Howie Mandel's HERE'S THE DEAL: DON'T TOUCH ME, a no-holds-barred look at the America's Got Talent host's struggle with OCD and ADHD, and he co-wrote Bob Newhart's landmark comedic memoir I SHOULDN'T EVEN BE DOING THIS. Josh's diversity sets him apart from other collaborators as his New York Times Non-Fiction Best Sellers show. 1 in their category on Amazon, and two novels, but he also has the distinction of writing books with and about leading experts in the worlds of Entertainment, Law, Science, Business, Comedy, Natural History, Sports, Exploration and Politics. Taking on the role of poverty – stricken Charlie Bucket or the ever-demanding character of V eruca Salt enable d pupils to develop critical thinking ski lls as they explore new values and show empathy for the situations of others.Josh Young is a unique writer who not only has written five New York Times bestsellers, two additional Los Angeles Times bestsellers, five books that were made into feature documentaries, eighteen books that have been ranked No. Developing creativity enables the ability to view the world through a different lens. Studying drama transmits skills far beyond the stage. “We were utterly wowed throughout t h e audition process and working with the broad cast of students from across the year group s has been nothing short of delightful.” “ The script of the performance – ada p ted from the novel in 1975 required an enormous amount of talent to t ake on the variety of characters which feature in this beloved tale of magic and chocolate” explains Mrs Day, Acting Director of Drama. Having worked across the industry, Mr Grantham has a vast amount of specialist knowledge to share with budding crew members covering staging, lighting, sound & set and costume design. Re-creating the renowned scenes of a flying glass elevator and turning a character into a blueberry live on stage were just two of the challenges set to the 15-pupil strong technical team and crew who worked alongside Mr Grantham, Trent’s Drama Technician. These roles are crucial in bringing the show together. The audience joined the cast on the psychedelic boat ride down the Chocolate River thanks to the use of projections and props conveying a very realistic feeling of movement. Later on, the well-loved scene from the Nut Room where the Salt family are labelled as ‘bad nuts’ was acted out using shadow puppetry for a highly comical effect.įrom Oompa Loompas speaking in rhymes during dance routine s which were choreographed by a Year 11 pupil to the whole cast fantastic ally stepping into the shoes of their characters and adopting new accent s and body language, it was certainly a show to remember.Īt Trent, we recognise that centre stage isn’t for everyone which is why there are also offstage opportunities to participate in and be part of th e team. ![]() Translating the key scenes from the film to a stage production saw very creative approaches. Commencing with the clever use of narrators in the form of journalists, who introduced the broad cast that ranged in ages from across the school and brought together Drama Scholars with subject enthusiasts. The May Hall had a full house for both performances with audiences brimming with anticipation and excitement as they waited to be transport ed to Willy Wonka’s factory in a technicolour sugar rush of a show.
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